The Quarantine Stream: ‘Anatomy Of A Murder’ Is An Excellent Jimmy Stewart Courtroom Mystery
(Welcome toThe Quarantine Stream, a new series where the /Film team shares what they’ve been watching while social distancing during the COVID-19 pandemic.)The Movie:Anatomy of a MurderWhere You Can Stream It: The Criterion ChannelThe Pitch: A folksy former district attorney takes the case of a U.S. Army lieutenant who admits to killing a man. But was the killing justifiable?Why It’s Essential Viewing: Twenty years afterMr. Smith Goes to Washington,Jimmy Stewarttook on another monologue-heavy role inAnatomy of a Murder, which he later called one of the biggest challenges of his entire career. Seeing him rise to that challenge inOtto Preminger’s courtroom classic is super satisfying – has anyone evernotrooted for Jimmy Stewart?
If Tom Hanks is accepted as America’s dad, Stewart is probably America’s grandfather. And when grandpa steps into a courtroom, you best pay attention.
Stewart is well known for being able to deliver snappy, rapid-fire dialogue (see:The Philadelphia Story), but there’s no romantic angle or sexy charm to his role here. InAnatomy of a Murder, his words are so powerful, a man’s life depends on them. It’s a very different mode for him than his breezy rom-coms or dusty westerns, but he’s firing on all cylinders here, fiery and passionate and sly and funny. On one level,Duke Ellington’s jazzy score serves to provide a bit of lightness to a fairly heavy story: the lieutenant’s wife was raped before the film begins, and he killed the man who did it. On another, the complexities and improvisations in jazz reflect the way the lawyers work in court – reacting on the fly to poking and prodding from the other side, building up their case piece by piece. They have a plan, but they have to be flexible enough to stay on their toes and respond accordingly to convince the jury their side is the righteous one. It all works together perfectly.
The film clocks in at just over two hours and forty minutes (which I would have called “long” before the quarantine made the idea of time essentially meaningless) and the majority of it takes place in a courtroom, but the dialogue is so well-written and fast-paced that the whole movie flies by. Stewart is top-billed and rightfully gets most of the attention for his performance, butArthur O’Connellis a great drunken assistant for Stewart’s character,Lee Remickis solid as the lieutenant’s mysterious wife,George C. Scottrolls in as the slick prosecutor who faces off against Stewart, and a youngBen Gazzarais caught in the middle as the man accused of murder. (Gazzara would go on to play the heavy in the 1989 Patrick Swayze movieRoad House.)
If the movie has a downside, it’s that it’s fairly straightforward in its plotting – don’t expect too manyWitness for the Prosecution-style twists. But there’s a simple pleasure in watching top tier performers executing their craft at a high level, and the Criterion Channel also offers six additional bonus videos for you to catch up with after you’ve seen the movie itself, including one focused on Preminger and Saul Bass, one on Ellington’s music, and a thirty minute documentary about the movie’s legacy on the area where it was filmed.
