New On Blu-Ray: ‘Rocketman’, ‘Apocalypse Now’, ‘Godzilla: King Of The Monsters’, ‘Stand By Me’, ‘Cruising’, ‘Brightburn’
Calling all physical media phans! There are a whole lot of great new Blu-rays youmustpurchase. That’s right, I saidmust. Empty your bank account! Or don’t, whatever, I’m not your boss. But this week really does offer up some wonderful films, and I urge you to check them out. These are the new Blu-ray releases you should check out this week.
Biopics are a time-honored Hollywood tradition. And biopics aboutmusiciansare all the rage lately – just look at the popularity of the Oscar-nominatedBohemian Rhapsody.The problem is that most musician biopics are painfully formulaic, and in some cases, downright bad – again, just look at the Oscar-nominatedBohemian Rhapsody, an awful film that still managed to scoop up awards. If you’re burned out on bad biopics, you might be hesitant to check outRocketman, which on the surface is a biopic of Elton John. ButRocketmanrises above the standard biopic trappings to create something unique. Sure, it occasionally slips into cliche territory. But for the most part,Rocketmandistinguishes itself by being a full-blown musical. There aren’t just scenes of Elton John performing at concerts – there are old school musical numbers, complete with dancers and fantastical elements galore. It makes for a more rewarding experience overall and makes you appreciate howbadother musician biopics are.Taron Egertonis excellent as Elton John – primarily because the actor actually creates a character here, rather than lean on a cheesy impression. A little trimming here and there andRocketmancould’ve been one of the best biopics in recent memory. Instead, we’ll just have to settle for areallygood biopic instead.
Why It’s Worth Owning on Blu-ray:Rocketmanis a long movie, but it could’ve been even longer, as this Blu-ray confirms. The release comes packed with not just deleted scenes – most of which are forgettable – but also extended musical numbers. So instead of the trimmed-down versions of the songs you see in the film, you’ll be treated to the fuller versions as well. There’s also a “sing-along” feature – something that’s become standard in most popular musicals. So if you want to go ahead and belt out some of these tunes while you’re home alone, feel free. I won’t tell anyone. Overall,Rocketmanis an entertaining, fantasized journey through Elton John’s career, and is thus inherently watchable – and rewatchable.
Special Features Include:
Apocalypse Now (Final Cut)
By now, the stories are infamous: how the production ofFrancis Ford Coppola’sApocalypse Nowturned into a living nightmare. How the film went over budget, and over schedule. How co-starMarlon Brandoshowed up to shoot shockingly overweight, causing Coppola to shoot him mostly in shadow. How starMartin Sheenended up having a heart attack. The list of problems plaguing the production is endless and legendary. All of that lends an extra unsettling aura to Coppola’s Vietnam War epic, inspired by Joseph Conrad’sHeart of Darkness. Sheen’s Army Captain Benjamin Willard is sent on a secret mission to kill Colonel Kurtz (Brando), an Army Special Forces officer who has gone insane and is now living in the jungle and being worshipped like a god. The journey is fraught and perilous, bringing Willard and the boat crew he’s with to one surreal scene after another until it all climaxes with the confrontation with Kurtz. A sensory overload – editorWalter Murchdesigned a cutting-edge technique for playing the film’s sound –Apocalypse Nowremains a classic for a reason. It’s also a film that’s been revisited several times. Coppola himself previously cut togetherApocalypse Now Redux, which added 50 minutes to an already long film. Now, Coppola has gone back to the well again with this new 4K release, titledApocalypse Now: Final Cut. This is said to be Coppola’s preferred version of the film and trims about 20 minutes out of theReduxcut. Will this release seem new to you if you’ve already watched the movie in its various forms? Maybe not, but it feels more complete and more essential than ever.
Why It’s Worth Owning on Blu-ray:
As Coppola himself says in a new intro,Final Cutis his preferred version of the film. That on its own might be enough to ensure people pick this up. But to sweeten the pot, the 4KFinal Cutrelease is jam-packed with material, making it theonlyrelease worth owning at this point. Not only do you get theFinal Cut, you also get theReduxcut as well. Also included:Hearts of Darkness: A Filmmaker’sApocalypse, the documentary that recounts how insane theApocalyse Nowproduction was.In addition, you’ll find a wealth of behind-the-scenes featurettes – some of which were included in the previous releases of the film. But there are also new features devoted to the unique sound design of the film, as well as the restoration for the 4K release. The Q&A Coppola did with director Steven Soderbergh at the recent Tribeca Film Festival – whereFinal Cutpremiered – is also included. If you’re a fan ofApocalypse Now, there’s no way in hell you should pass this release up.
Godzilla: King of the Monsters
Even byGodzillasequel standards,Godzilla: King of the Monstersis a bit undercooked. The script is messy to the point of incoherence – example: at one point the twin sister of another character shows up, but there’s zero indication that this is supposed to be a different character – and none of the humans are worth a damn, even though they’re played by strong actors likeVera Farmiga,Bradley Whitfordand more. But it can’t be denied: when the monsters finally show up and start stomping all over each other, it’s a sight to behold. Sure, it somehow manages to rainevery single timea monster attack happens. But the destructive enormity of these creatures is expertly handled. Pity about everything else, though.
If you’re aGodzillacompletist, you’re going to want to own this, despite its flaws. Perhaps the best reason for checking this out is the commentary by director Mike Flanagan. Director’s commentaries are becoming a dying breed, so I always appreciate when a filmmaker takes the time to sit down and talk about their work. Beyond that, there are featurettes about creating all the monsters, as well as the many locations the film jumps to. It’s a solid package overall, even if the film itself is a bit lacking.
Stand By Me 4K
Sure, Stephen King is known for his tales of terror. But he’s also responsible for some authentically earnest, emotional dramas. The best example is arguably his storyThe Body, featured in his collectionDifferent Seasons.Rob Reineradapted King’s story into the filmStand By Me, creating a superb coming-of-age drama that actually improves on King’s story. Four young friends – played byWil Wheaton,River Phoenix,Corey Feldman, andJerry O’Connell– set off one summer to find the dead body of a missing boy. Yes, I know – thatsoundsghoulish. But there’s an unapologetic sweetness here, brought to life through the honest performances of the young leads. Funny, charming, and even a little gross,Stand By Meis a gem.
Why It’s Worth Owning on Blu-ray:Stand By Mehas been released in a visually stunning new 4K release. The quality of the restored footage here is so sharp that you could easily believe this is a film shot in the previous year, not nearly 30 years ago. Make no mistake: this is the version ofStand By Meto own. Beyond the restoration, there are also several deleted and alternate scenes, some of which have never been released before. Don’t get too excited, though – we’re not talking a ton of new footage; they total only six minutes. Still, the 4K restoration alone makes this a must-own.
William Friedkin’s ultra-sleazy slasher picCruisinghas been meticulously restored by Arrow Video. This Blu-ray release takes viewers back to a filthy, dangerous New York City of the 1980s, where a serial killer is targeting gay men from leather bars. To catch the killer, the police send in cop Steve Burns (Al Pacino) to go undercover in the gay community, serving as bait for the killer. Friedkin’s film was highly maligned before it even came out. The gay community was concerned that the film was going to be critical of their lifestyle, and proceeded to disrupt the production to the point where most of the audio had to be dubbed in later. Over the years, though,Cruisinghas achieved a kind of cult status. To be clear: the movie is a bit of mess. As great an actor as Pacino is, his character Steve Burns is a blank bore, and Pacino can only do so much with him. Still, Friedkin’s stylish direction mixed with the grindhouse aesthetic ends up turningCruisinginto the type of movie that burns itself into your brain.
This Arrow Video release is theonlyversion ofCruisingyou should own. If you don’t believe me, take it from the director himself.
Do not buy the deluxe, anamorphic or wideScreen versions of CRUISING on Amazon orAnywhere else. Buy or rent ONLY the specialEdition from Arrow. The others are recycledFakes
— William Friedkin (@WilliamFriedkin)August 20, 2025
The 4K restoration preserves the harsh grain and heavy textures of James A. Contner’s cinematography, resulting in a viewing experience that has the ability to transport you back to an entirely different era.
Brightburn
What if Superman was a full-blown sociopath? That’s the premise ofBrightburn, a gory, inventive anti-superhero movie that takes the Superman mythos and turns it upside down. A childless couple (Elizabeth BanksandDavid Denman) from Kansas get a big surprise when something crashes on their farm. The unidentified crashing object contains a baby, and the couple decides to raise the infant as their own. Jump to 12 years later: that baby, named Brandon, has grown into a seemingly normal boy (played byJackson A. Dunn). But Brandon soon discovers he has superpowers. If Brandon was a well-adjusted individual, he must use his newfound powers for good. But Brandon is an angry, violent creep, and he starts using his amazing abilities to commit brutal acts of vengeance against his perceived enemies.Brightburnis unapologetically nasty, loaded with gore and brimming with possibilities.
Above I praisedGodzilla: King of the Monstersfor featuring a commentary track. Which means I have to extend that same praise toBrightburn, which features a commentary track with director David Yarovesky, cinematographer Michael Dallatorre, and costume designer Autumn Steed. I’m surprised producer James Gunn didn’t sit in, since his name was slapped all over the marketing, but this will do.Brightburnwas mostly ignored in theaters, and that’s kind of a bummer – because this is a fun, gory horror movie that is just waiting to find its audience. I think it eventually will – if people bother to check it out on Blu-ray.
